Catalog: Antiques: Regional Art: Asian (433)

Feminine figure, of elongated form, arms alongside the body, hands holding the abdomen, standing on a rounded base. Wood, glossy patina. Indonesia, Atoni, West Timor. Height: 31 cm. Old accidents, otherwise good condition.

Small altar ("zushi" in Japanese) made of wood, lacquered in black outside, gilt inside. The locking system as well as the hinges are made of beautifully decorated bronze. The altar contains a gilt wood statue of Buddha sitting cross-legged in meditation posture on an elevated throne backed by an aureola. Japan, 19th century. Total height: 8" (20,5 cm). Flaked lacquer at the base, otherwise very good condition.

Statue of Guanyu, the general of Liu Bei, which was transformed into the famous Guangong, the Taoist God of War. Guanyu is shown here in full military garb, with helmet and armor, sitting on an elevated throne. Votive box at the back, still closed. Wood, with remnants of superimposed painting, lacquering and gilding. China, 19th century. Height: 24.7 cm. Painting and lacquering partly flaked, otherwise very good condition.

Statue of Xuan Wu, or Zhen Wu, God of the North, in formal attire, sitting on a throne, with his two attributes, the snake and the tortoise. Wood with polychrome painting. China, 19th century Height: 13" (32,5 cm). Colors partly chipped, otherwise very good condition. NOTE: Xuan Wu is one of the highest ranking Taoist deities.

Very rare complete skull of an orang-outang, decorated with carved typical geometric designs and with the threatening face of a god or a genie on the forehead. The skull has kept its lower jaw which is attached to it with a sliced bamboo tie. The age patina is beautiful. Indonesia, Borneo Island, Dayak Peoples. Height: around 6 1/2" (about 16,5 cm). Very good condition. IMPORTANT: export to the European Community countries only.

Statue of a household protecting ancestor, sitting on a rounded base, his head with an unusual pointed top, his hands in "namaste" posture. Wood, with fine age patina. Nepal, 19th century. Height: 35 cm. Strong abrasion due to great age, otherwise good condition. Provenance: collected in Kathmandu in 1974.

Opium lamp inserted in a sort of cylindrical cage. A chain attached to the top of the cage allows an easy transportation of the lamp. The lamp can entirely be taken to pieces (see photo). Brass and glass. China, 19th century. Height: 6 5/8" (17 cm). Very good condition.

Fine Tibetan "damaru" (ritual drum), made of silver and leather. The silver part is in the form of two "kapala shaped" parts, separated by a central silver belt, decorated with several turquoise and coral inserts, to which the handle is attached. This silver part is lavishly decorated with an embossed relief design representing foliage and Buddhist symbols. The leather part is painted in green. Two cotton cords, ending in two small balls are also attached to the drum to strike it...

Very old anthropomorphic statue of a deity protecting a household, staying on a circular base, with an expressive face and hands in praying posture. Eroded wood, age patina. Nepal, 19th century. Height: 33.3 cm. The statue is nicely mounted on a custom stand. Collected in the early seventies in the Himalayan region.

Finely carved mask of the Noh traditional theater, with a verystrong expression, representing the character of Otobide. The mask is made of wood, painted in gold (the whole face), black (for the eyebrows and moustache, also on top of the forehead) and red (for the mouth), and the eyes are made of brass. Japan, late 19th century. Height: 21.2 cm. Slight abrasion on some areas due to age, otherwise very good condition...

Silver alloy opium box, lavishly decorated on all its sides with relief designs representing a nobleman with his servant in a park, flowers, birds (on the lid), and two inscriptions. Partly erased artist mark beneath. China, 19th century. Height: 6.2 cm. Very good condition.

Beautiful and rare opium scale in its box made of wood lacquered in black with a design showing a red cross.The scale is made of bronze and complete. Burma, 19th century. Length of the box: 16,7 cm. Obvious signs of wear due to age, otherwise very good condition. NOTE: the piece was collected in 1974 in the North of Thailand by its former owner. Très jolie et rare balance à opium dans sa boite en bois laqué noir avec un décor de croix en laque rouge...

Symbolic plate representing the entangled faces of the sun and the moon in relief. Bronze, with fine patina and traces of the original gilding. India, 19th century. Height: 21.5 cm. Very good condition.

Antique temple banner consisting in a long sort of ribbon made of paper on which a series of religious scenes showing Taoist gods and chimeras are hand painted with polychrome pigments. The banner is around 10 m long by 27 cm high, and is affixed to a wood stick on both sides. The piece is signed Zheng Fa and dated Xian Feng 6 (1855). It is coming from the South West region of China, and was painted by an artist who was a member of the Yao ethnic minority...

Beautifully decorated book cover, of very refined gilded hammered copper on wood, with, on one side, two dragons with the "Ratna", or "Mani" (the Jewel of the Buddhist doctrine) in the middle, surrounded by stylised cloud motifs and framed in lotus design. On the other side, three handpainted Buddhist figures representing Manjushri, Chenresig and the Mahakala. These paintings have withstood the test of time a little less well than the front side...

Finely cast small statue of Green Tara, wearing diadem jewelry and dhoti, sitting in regal repose on a double lotus throne, her left hand holding a lotus flower. Tibet, 19the century. Height: 4 cm. Slight erosion on the gliding, otherwise very good condition.

Large and important bust of Hindu goddess Parvati, wife of god Shiva. This beautiful lost wax chiseled and cast bust made of bronze underlines perfectly the harmony of the face and the beauty of the jewelry the goddess is wearing. India, 19th/20th century. Height: 30.2 cm. Very good condition. NOTE 1: As the title implies, ("Parvati Mukhalinga"), this bust was associated with the Linga of Shiva. The Linga is a phallic symbol, symbolising the power of Shiva.

Long temple banner, also called "bridge painting" hand painted on paper representing Taoist deities in all sorts of situations. A stick is affixed on both ends. China, mid 19th century, Yao ethnic group, south-west China. Length: 4.12 m. A few restorations and losses, otherwise good condition.