Catalog: Antiques: Regional Art: Asian (433)

Finely cast gilt bronze statue of Hindu god Vishnu, wearing a diadem with a flaming aureola at the back, necklaces bracelets and a dhoti, holding his attributes with his four arms. The god is standing on and backed by the Naga. India, late 19th century. Height: 15 cm. Very good condition. NOTE: Images of Vishnu typically depict him with four arms, holding his attributes: the club, wheel, conch and lotus flower. The club is a symbol of Vishnu's divine power, and the wheel, a symbol of the sun...

Antique temple banner consisting in a long sort of ribbon made of paper on which a series of religious scenes showing Taoist gods and chimeras are hand painted with polychrome pigments. The banner is around 10 m long by 27 cm high, and is affixed to a wood stick on both sides. The piece is signed Zheng Fa and dated Xian Feng 6 (1855). It is coming from the South West region of China, and was painted by an artist who was a member of the Yao ethnic minority...

Fine Tibetan "damaru" (ritual drum), made of silver and leather. The silver part is in the form of two "kapala shaped" parts, separated by a central silver belt, decorated with several turquoise and coral inserts, to which the handle is attached. This silver part is lavishly decorated with an embossed relief design representing foliage and Buddhist symbols. The leather part is painted in green. Two cotton cords, ending in two small balls are also attached to the drum to strike it...

Small covered box with an embossed decoration all around the body representing stylised animals in small medalions. The lid is surmounted by an animal (tiger?) and the base is decorated with a lotus. Solid silver with a fine patina. Burma, 19th century. Height: 5.5 cm. Diameter: 5.7 cm. Very goodcondition.

Long temple banner, also called "bridge painting" hand painted on paper representing Taoist deities in all sorts of situations. A stick is affixed on both ends. China, mid 19th century, Yao ethnic group, south-west China. Length: 4.12 m. A few restorations and losses, otherwise good condition.

Large and important bust of Hindu goddess Parvati, wife of god Shiva. This beautiful lost wax chiseled and cast bust made of bronze underlines perfectly the harmony of the face and the beauty of the jewelry the goddess is wearing. India, 19th/20th century. Height: 30.2 cm. Very good condition. NOTE 1: As the title implies, ("Parvati Mukhalinga"), this bust was associated with the Linga of Shiva. The Linga is a phallic symbol, symbolising the power of Shiva.

Silver pot with an elaborate embossed decoration consisting in a dragon on its handle, a "makara" on its spout, Buddhist symbols on its neck, and dragons and stylized lotus on its body. Tibet, 19th century. Height: 14.5 ccm. Very good condition.

A fine cricket cage, composed of a body made from a gourd and a rim and lid made of ivory. The lid itself is nicely carved to represent a lotus and foliage around surmounting an openwork geometric design. Its silk case, partly damaged, is joined to the cage. China, 19th century. Length: 7.8 cm. Very good condition.

Unusual small dagger, its handle made of horn and carved in the shape of a forearm and fist. The strangely shaped iron blade bears the craftsman's initials. Indonesia, Borneo Island. Length: 7 3/8" (18,7 cm). The piece is nicely mounted on a custom metal stand. Signs of long use, otherwise good condition.

Very old anthropomorphic statue of a deity protecting a household, staying on a circular base, with an expressive face and hands in praying posture. Eroded wood, age patina. Nepal, 19th century. Height: 33.3 cm. The statue is nicely mounted on a custom stand. Collected in the early seventies in the Himalayan region.

Opium lamp inserted in a sort of cylindrical cage. A chain attached to the top of the cage allows an easy transportation of the lamp. The lamp can entirely be taken to pieces (see photo). Brass and glass. China, 19th century. Height: 6 5/8" (17 cm). Very good condition.

Statue of Guanyu, the general of Liu Bei, which was transformed into the famous Guangong, the Taoist God of War. Guanyu is shown here in full military garb, with helmet and armor, sitting on an elevated throne. Votive box at the back, still closed. Wood, with remnants of superimposed painting, lacquering and gilding. China, 19th century. Height: 24.7 cm. Painting and lacquering partly flaked, otherwise very good condition.

A set of three 19th century Indian jeweler's moulds, made of bronze, each one representing a Hindu deity. The first one shows a female deity, maybe Sarasvati, with four arms, holding her four attributes in her hands, riding a horse and surrounded by foliage. An inscription is incised at the back of the mould. Height: 6.3 cm. The second mould shows god Khandoba (a form of Shiva), holding a sword, riding a horse together with his wife, and accompanied by a dog running under the horse...

Silver alloy opium box, lavishly decorated on all its sides with relief designs representing a nobleman with his servant in a park, flowers, birds (on the lid), and two inscriptions. Partly erased artist mark beneath. China, 19th century. Height: 6.2 cm. Very good condition.

Mask of the traditional Noh theater representing the character of Obeshimi. Wood, with polychrome painting meant to enhance the features of the face. Japan, end of 19th century. Height: 20.2 cm. A few chips onthe painting, obvious signs of great age, otherwise good condition. NOTE: Obeshimi is used for Noh plays featuring "tengu", mythical demons that defy Buddhist law.

Finely carved mask of the Noh traditional theater, with a verystrong expression, representing the character of Otobide. The mask is made of wood, painted in gold (the whole face), black (for the eyebrows and moustache, also on top of the forehead) and red (for the mouth), and the eyes are made of brass. Japan, late 19th century. Height: 21.2 cm. Slight abrasion on some areas due to age, otherwise very good condition...

Statue of a household protecting ancestor, sitting on a rounded base, his head with an unusual pointed top, his hands in "namaste" posture. Wood, with fine age patina. Nepal, 19th century. Height: 35 cm. Strong abrasion due to great age, otherwise good condition. Provenance: collected in Kathmandu in 1974.

Salt box with its lid, of rectangular shape, decorated with incised geometric design on its sides, and geometric, partly in relief, design on its lid. An opening on the lid allows a spoon (now missing) to rest inside the box. Nepal, 19th century. Length: 18,7 cm. Height: 11 cm. Some erosion due to age, otherwise very good condition. Collected in Nepal in the early seventies.