Catalog: Antiques: Regional Art: Asian: Chinese: Sculpture (51)

Statue of a Taoist deity, in formal attire, seated on a throne. Wood, decorated with polychrome pigments. Small votive box at the back. China, Qing dynasty, end of 19th century. Height: 22.7 cm. Traces of candle soot on the front, old insect attack beneath (no danger), otherwise good condition.

Small statue of a Judge of the Souls in Hell, in formal attire, sitting on a throne. Wood, with remnants of the original polychrome pigments on plaster. China, Ming Dynasty Period (1368-1644). Height: 7 3/4" (19,5 cm). Obvious signs of great age, otherwise good condition.

Statue of Kuan Yin, the Buddhist Goddess of Mercy, In formal attire, wearing a diadem, sitting cross-legged, her hands in praying posture. Wood, with remnants of polychrome coloring. China, 19th century or earlier. Height: 22.7 cm. Abrasion due to age, otherwise good condition.

Statue of a taoist dignitary, in formal attire, standing with a martial posture on an elevated base. Votive box still closed at the back. Wood, with remnants of superimposed layers of polychrome and gold painting. China, 19th century. Height: 13 " (32,5 cm). Left hand partly chipped, old insect infestation (no more danger), otherwise good condition.

Statue of God Chao Kung Ming, the Military Wealth God, dressed in military garb, half sitting on a throne, his left hand holding a coin, his left foot tramping the head of a dragon, his right leg resting on a lion. Votive box open at the back and still containing a paper. Lacquered and painted wood in gold and polychrome colors. China, 18th century. Height: 8 3/4" (22,2 cm). Old insect infestation (no danger), otherwise very good condition.

Statue of Xuan Wu, or Zhen Wu, God of the North, in formal attire, sitting on a throne, with his two attributes, the snake and the tortoise. Wood with polychrome painting. China, 19th century Height: 13" (32,5 cm). Colors partly chipped, otherwise very good condition. NOTE: Xuan Wu is one of the highest ranking Taoist deities.

Statue of God Hung Hsien Tati, a protector, also called The Great Emperor, The Immortal, in military garb, holding a bowl in his left hand. He was probably holding a sword in his right hand, but the sword is now missing. The god's right foot is resting on his tiger, while his left foot is resting on a dragon. Votive box (open) at the back. Polychrome wood. China, 19th century. Height: 14 1/4" (36 cm). Good condition.

Statue of Buddha Sakyamuni, in monk's robes, sitting cross-legged on a double lotus throne, his hands in bhumisparsa mudra. Cast iron. China, Yuan Dynasty (1271-1368 A.D.). Height: 23 cm. Old accident at the back of the statue (see photos), strong oxydation due to great age, otherwise good condition. A rather rare piece

Wood statue of a bearded Taoist deity, in formal attire, sitting on a throne. China, Late Yuan, early Ming Dynasty. Height: 24.3 cm. Obvious signs of great age, otherwise good condition.

Small statue of Kuan Yin, the Buddhist Goddess of Mercy, wearing a diadem and formal robes, sitting on a double lotus throne, her right hand in abhaya mudra. Gilt bronze, with fine dark green patina. China, 19th century. Height: 8.8 cm. Gliding partly missing, otherwise every good condition.

Statue of Guanyu, the general of Liu Bei, which was transformed into the famous Guangong, the Taoist God of War. Guanyu is shown here in full military garb, with helmet and armor, sitting on an elevated throne. Votive box at the back, still closed. Wood, with remnants of superimposed painting, lacquering and gilding. China, 19th century. Height: 24.7 cm. Painting and lacquering partly flaked, otherwise very good condition.

Statue of a Taoist deity, in formal attire, standing on a rectangular base on which a chimera or a dog is carved in relief. Two votive boxes, their lids missing, at the back. Wood, nice semi-glossy patina. China, Ming Dynasty period. Height: 12 1/2" (32 cm). The statue is mounted on a custom wood stand. Some loss at the base, chips, otherwise very good condition.

Fragment of a relief carved in marble to represent a flying "apsara". China, Tang dynasty, 10th century. Height: 12.5 cm. The piece is nicely mounted on a custom stand. Good condition. Provenance: French auction sale 1992.

Small statue of Buddha wearing a diadem, in a meditative posture ("dhyana mudra"), holding a stylized beggar bowl in his hands, sitting cross-legged on a double lotus throne. Bronze, with thick encrusted green patina. Tibet, 16th century. Height: 5 1/2" (14 cm). Diadem partly chipped, a few tiny casting defects, otherwise very good condition. A rather unusual aspect of the Buddha image.

Statue of Zhen Wu, or Xuan Wu, the God of the North, in formal attire, sitting on a rocky throne, under which his two attributes --- the snake and the tortoise --- are hiding, his right arm resting on a chimera. Wood, with remnants of the original lacquering and gilding. Black glass eyes. China, Ming Dynasty. Height: 10 1/2" (26,7 cm). Good condition.

Head of a lohan (or "arhat"), one of the 18 disciples of Buddha, wearing mustache and goatee, his face displaying a severe expression. Wood, with remnants of the original plastering (used to support a former polychrome painting, now gone), Eyes made of black glass. China, early 18th century, probably earlier. Height: 12" (30 cm). The head is nicely mounted on a custom metal stand. Some chips, otherwise very good condition.

Realistic and superbly cast statue of a Taoist dignitary, standing in formal attire, holding an archaic vessel with both hands, with a slight smile on his face. Bronze, encrusted patina, traces of gilding in some recesses. China, Qing Dynasty, early 18th century, probably earlier. Height: 7" (17,7 cm). Old dent on the upper part of the back, otherwise very good condition. A rare piece.

Finely cast statue of Bodhisattva Manjusri, in formal attire, his face showing a half smile, sitting in "rajalila asana" on a chimera or highly stylized lion, both resting on an elevated lotus throne. China, Ming Dynasty (1368-1644). Height: 9 1/8" (23,3 cm). Iron, with partly encrusted patina. Obvious signs of great age, strong oxydization in some areas, otherwise very good condition. A very fine statue. NOTE: "rajalila asana" is the king's posture. It is sometimes used on bodhisattvas statues...